New flexibility in the Caisse d'Epargne groupThe first of them is the shortage of waterThe sanction was immediate the action lost 5000 tonnes per year in addition to the 265A way of marrying tradition and modernityIt therefore decides to cool the buildingWhere there are uniforms there are burrsThe rally was of short duration for the rugbySpecial dishes and a menu is planned from 25Behind meat and fish suffer no criticismFrancis Veber resumed his preferred scenario to implement an effective mechanical. Meeting.
Flat or gas Bubbly, of course. The man who comes to sit because laughter the France since nearly forty years. Writer, he participated in a skewer of triumphs such as "Le Grand Blond" or "La Cage aux folles". Director, it must include "The goat" (1981), "Les Compères" (1983), "The dinner of idiots" (1998), "The closet" (2000) either in total more than 40 million entries. For "Edouard Molinaro", out today, it does not a remake, instead of the reappropriation of a written score it for for L'Emmerdeur. It always opposed almost in camera, two Flint who sparks: a door gun occupies an adjacent hotel room of an invasive suicidal. Since its window, it must perform rifle sniper a perfectly settled contract. Unfortunately, his neighbour is one such "L'EMMERDEUR" that all the plans collapsed. In 1973, Molinaro with Jacques Brel and Lino Ventura film was a great success. However, he looked to the writer would have liked. After the scene in 2005, Veber therefore decided to "his" film. "L'EMMERDEUR" version 2008 is the culmination of a long work, a grand slam final: three sets played service-fly without visually elegant, but packaged in less than an hour and a half with clear expertise. A concentrated period that corresponds to the evolution of the public, but especially to the will of the filmmaker: "I been trying for a few films of scouring my cinema, remove the secondary actions which make you spend an hour twenty to forty hour." Then, I do not want that my players play way TV, in labelling the text pause between each sentence. Everything must be chained. I am not a virtuoso of the camera: for me, a film is a story told by comedians. My job is they tell the well, in good rhythm.
Black suit, raised voices, Veber, sixty and eleven years, was, a priori, nothing of the Lunar hero interpreted by Pierre Richard, Jacques Villeret or here Patrick Timsit, all the "François Pignon" through her films taking the feet in the carpet. It rather like Ralf Milan, the maniacal precision sniper played by Richard Berry. "Unfortunately, I am Gable, admits Veber. It is not because always I make great efforts. But I dress as a killer, but I have difficulty in tying my shoes. At the army, I was the only one unable to make my bed in the square. So, I would have preferred the other be: one around that silence is when he enters a bar.
A remedy to the crisis
The name of Francis Veber has not always linked to the comedy. It has forgotten that it is the writer of "Fear city" of Henri Verneuil, with "goodbye chicken" Pierre Granier-Deferre or "Whim" of Jean-Jacques Annaud. But he feels "genetically" comic, with the "obligation to terrible to laugh" and the sadness of not always pleasing to the intelligentsia. Since "The toy" (1976), he has swallowed the criticism without always Digest. "I know that I need never recognition of an Abdellatif Kechiche, he said." But, when I am dead, I'm almost certain it will say that I was not so no that.
Today, as the traditional steak fries of our bistros, Veber kitchen works still well enough to cheer the crisis. Long term, as all its classics, his "L'EMMERDEUR" will ensure his posterity in prime time and not on the big screens of cinematheques. "It is better than not review my movies at all." I can't regret of the times. I do not regret nor on pirate my movies. I am unable to get me excited in a traffic jam: it does not advance the faster cars. "It suddenly thinks of this unforgettable image: Pierre Richard, in"The goat", driving into the quicksand, quiet... We must never discuss in quicksand", said arms crossed. Yes, gear, it's him.
